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Oxidized Copper

Ricky Vargas

2025

Textile/Surface Design

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This piece was created in an attempt to demonstrate the oxidization process in copper. Careful attention was paid to the various tones and hues, such as verdigris and aquamarine to capture the transition, as well as the chosen weaves to highlight the copper or oxidization in certain areas. The work itself presents a dichotomy where the original material, the copper, is being ruined through a natural process, but in this destruction it takes a new life that is equally desirable.

Block Candy / Gone Wild

Amayah Meas

2025

Textile/Surface Design

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Block Candy is a Bauhaus inspired pocket weave collection using block weave threading structures. Designed for tabletop and related textiles, this collection uses a variety of compound weaves, scale, layout, and yarns for a diversified product mix. Drafts incorporate an additional third pick for added interest and complexity.

Ballads of Monsoon / Pigmented Boundaries

Nana Osako

2025

Textile/Surface Design

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Ballads of Monsoon: This collection is inspired by the monsoon region. It cerebrates the vitality of life through motifs such as plants drenched in continuous rain, the carefully cultivated shapes of rice fields, and the rippling patterns spreading underfoot. All designs were created on a 24 - harness floor loom.

Conscious Accident

Cynthia Yu

2025

Fine Arts

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Paintings (visual works)

Course: FA 256 - Intermediate Methods and Approaches - Painting IV

Untitled

Aaron Tarin

2025

Fine Arts

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Paintings (visual works)

Course: FA 256 - Intermediate Methods and Approaches - Painting IV

Buddhas of Bamiyan

Aaron Tarin

2025

Fine Arts

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Prints (visual works)

This series was an assignment for my printmaking class for a reduction project under the prompt “what remains and what is cast away”. I decided to base my prints on the Buddhas of Bamiyan, two statues of Buddha located in the Bamiyan Valley of Afghanistan. Starting in 1998 the statues would be periodically attacked by the Taliban until the complete destruction of them in 2001. I decided to print on both sides of each print. The back is one of the statues in their intact state or “what is cast away”. The front is the product of me carrying out my own destruction on the linoleum replicating the statue in its destroyed state or “what remains".

Spatial Tension Study From Live Model, 2025

Sunny Suits

2025

Fine Arts

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Drawings (visual works)

Two session (6 hours) study of live model

Death and Love and Life and Birth in The Wild Wild West

Elias SilvaCruz

2025

Fine Arts

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Paintings (visual works)

Recently someone compared my lifestyle to that of a cowboys, which I found pretty funny. It’s been added to the list of things I constantly think about as I go about my day to day along with everything else that’s in the title of my paintings. I’m forever thinking death, life , love, and birth so I felt like attempting to convey what that would look like to me in the wild wild west. The state of our country right now is incredibly scary to me as a queer trans person of color and attempting to convey that fear of the western world right now is all I can do to make myself feel better. Everything is awful and nothing I do can fix it so, I made it look the way I wished it’d look like. With colors that feel like the west to me and animals and forms that symbolically feel like the west to me and all these other concepts I’m exploring.

Aubrey in Pattern

Natalya Navarro

2025

Fine Arts

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Drawings (visual works)

Study of model in patterned clothing and background capturing the folds and lighting the were created.

At 3 Am

Zoe Mullen

2025

Fine Arts

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Paintings (visual works)

A self portrait representative of me in my bed doom scrolling on social media, unable to fall asleep at 3 am.

Cymbal-banging Monkey

Zoe Mullen

2025

Fine Arts

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Prints (visual works)

Made a layered print, with saturated colors, inspired by the evil Jolly Chimp in Toy Story 3.

Spirit Whose Work Is Done

Claire McDonald

2025

Fine Arts

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Paintings (visual works)

Course: FA 232 - Visualization and the Human Figure II

Self Portrait

Caitlin Lee

2025

Fine Arts

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Paintings (visual works)

Course: FA 256 - Intermediate Methods and Approaches - Painting IV

Untitled

Nat Kelly

2025

Fine Arts

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Drawings (visual works)

Double Self Portrait

Untitled

Cara Hooke

2025

Fine Arts

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Prints (visual works)

Course: FA 271 - Intaglio

Portrait of A Man

Cara Hooke

2025

Fine Arts

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Drawings (visual works)

Course: FA 232 - Visualization and the Human Figure II

Lady in Green

Morris Hayes

2025

Fine Arts

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Prints (visual works)

This print was created as part of an exploration in color and form with the challenge of working within a limited three color palette. I intentionally selected hues that not only balanced each other visually but also evoked a sense of Afrofuturism, a blending of ancestral roots with futuristic possibilities. The palette became a tool to express cultural resonance and imagined futures, grounding the work in both personal aesthetic and broader narrative. Through relief printmaking I was able to physically carve space for these ideas, bringing them to life in layered texture and tone.

Table Graffiti

Tatum Hardekopf

2025

Fine Arts

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Paintings (visual works)

My painting is an abstract piece inspired by the tables in the painting rooms which students have smudged paint on throughout the years and wrote on.

Stray Child of The Sun

Kenneth Gonzalez

2025

Fine Arts

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Prints (visual works)

Took something I was passionate about and wanted to create a compelling design based on an Indesign project. I modified two images from the Konami Video Game, “Silent Hill 3”, and incorporated the use of gradients in several different prints with 3 different color palettes.