The Rise and Fall of British Punk: How Capitalism Plagued a Subversive Subculture
Teegan Oshins
Art Market Studies
About this Item
- Title
- The Rise and Fall of British Punk: How Capitalism Plagued a Subversive Subculture
- Contributor Names
-
Oshins, Teegan (Author)
-
Fashion Institute of Technology, State University of New York. Art Market Studies (Degree granting institution)
-
Schwartz, Alexandra (Thesis advisor)
- Date
- 2024
- Degree Information
- M.A. Fashion Institute of Technology, State University of New York 2024
- Department: Art Market Studies
- Advisor: Alexandra Schwartz
- Committee members: Natasha Degen; Brooke Carlson
- Abstract
- This thesis provides an overview of the 1970s British Punk movement's inception to determine whether the subculture fell victim to capitalization and consumerism. By examining Jamie Reid (1947-2023), Vivienne Westwood (1941-2022), and Malcolm McLaren (1946-2010), the story of the famed band the Sex Pistols is told through its visual arts and marketing tactics. Each figure's legacy provides this thesis with the intricacies of Punk history and its transition into a subculture plagued by consumerism.
- Chapter 1 focuses on Jamie Reid and the Sex Pistols. Particularly, the chapter tells the story of Reid's art and how it began the visual aesthetics of the British Punk movement. This chapter introduces the Sex Pistols as a pivotal symbol of the subculture and Malcolm McLaren as the band's creator.
- Chapter 2 provides the story of fashion designer Vivienne Westwood and how her store in 1970s London began the fashions of the Punk movement. It provides historical analysis of Westwood's brand and her relationship with McLaren.
- Chapter 3 is an evaluation of all three figures' involvement in the Punk movement. Their post-Punk careers are used to determine whether each individual became subject to consumerism and capitalism. The chapter places value on each figure's influence and their actions after the dismantling of the Sex Pistols.
- Keyword
- Reid, Jamie
- Mclaren, Malcolm
- Punk movement
- Sex Pistols (musical group)
- Subculture
- Westwood, Vivienne, 1941-2022
- Rights
- In Copyright
- The copyright for this work is held by its author/creator(s). Usage of this material beyond what is permitted by copyright law must first be cleared with the rights-holder(s). This work has been made available online by the Fashion Institute of Technology Gladys Marcus Library strictly for research and educational purposes. If you are the copyright holder for this work and have any objections to this work being made available online, please notify us immediately at [email protected].
- This item must not be sold to any third party vendors.
- Identifier
- FIT Repository ID: etd_001018
- URN/ISBN: 9798302882387
- Related Materials
- Also available from ProQuest
- Source: Masters Abstracts International, Volume: 86-08.
- Language
- English
- Publisher
- Ann Arbor : ProQuest Dissertations & Theses,
Citation
Oshins, T. (2024). The Rise and Fall of British Punk: How Capitalism Plagued a Subversive Subculture [Master's thesis, Fashion Institute of Technology, State University of New York]. FIT Institutional Repository. https://institutionalrepository.fitnyc.edu/item/600004
Oshins, Teegan. The Rise and Fall of British Punk: How Capitalism Plagued a Subversive Subculture. 2024. Fashion Institute of Technology, State University of New York, Master's thesis. FIT Digital Repository, https://institutionalrepository.fitnyc.edu/item/600004
Oshins, Teegan. "The Rise and Fall of British Punk: How Capitalism Plagued a Subversive Subculture." Master's thesis, Fashion Institute of Technology, State University of New York, 2024. https://institutionalrepository.fitnyc.edu/item/600004