Tokenism of Female Artists in the Twenty-First Century

Tianyi Fan
Art Market Studies

About this Item

Title
Tokenism of Female Artists in the Twenty-First Century
Contributor Names
Fan, Tianyi (Author)
Fashion Institute of Technology, State University of New York. Art Market Studies (Degree granting institution)
Degen, Natasha ND (Thesis advisor)
Date
2020
Degree Information
M.A. Fashion Institute of Technology, State University of New York 2020.
Department: Art Market Studies.
Advisors: Degen, Natasha ND. Committee members: Natasha Degen; Paul Melton; Joanne Arbuckle.
Abstract
This research focuses on tokenism of female artists in the twenty-first century. Drawing on the collaborative study by In Other Words and Artnet News that reported women's place in the art world, this thesis will further investigate the exhibitions and acquisitions history of non-profit institutes in the U.S. and explore the auction records and gallery representations in the past two decades. The aim of this study was to determine that in addition to the recognized inequality between gender, female artists also suffer from the influence of tokenism, which, according to the Encyclopedia of Race and Racism, refers to the practice or policy of admitting an extremely small number of members from racial, ethnic, or gender groups to work or to be involved in educational or social activities to give the impression of inclusivity, while, in actuality, these groups are excluded from the mainstream. Data from different institutions, including museums, galleries, foundations, etc., prove that tokenism of female artists exists. Particularly focus on the phenomenon in the U.S., this thesis will also discuss tokenism as a global trend and explore possible methods to address this problem as well as the COVID-19 pandemic's impact on it.
Subject
Sex discrimination against women
Sex discrimination in employment
Women artists--United States
Museums and women
Rights
In Copyright
The copyright for this work is held by its author/creator(s). Usage of this material beyond what is permitted by copyright law must first be cleared with the rights-holder(s). This work has been made available online by the Fashion Institute of Technology Gladys Marcus Library strictly for research and educational purposes. If you are the copyright holder for this work and have any objections to this work being made available online, please notify us immediately at [email protected].
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Identifier
FIT Repository ID: etd_000860
pqdiss: 28314474
ISBN: 9798569907915
Related Materials
Also available from ProQuest
Type
Text
Thesis
Language
eng
Publisher
Ann Arbor : ProQuest Dissertations & Theses

Citation

Fan, T. (2020). Tokenism of Female Artists in the Twenty-First Century [Master's thesis, Fashion Institute of Technology, State University of New York]. FIT Institutional Repository. https://institutionalrepository.fitnyc.edu/item/3883
Fan, Tianyi. Tokenism of Female Artists in the Twenty-First Century. 2020. Fashion Institute of Technology, State University of New York, Master's thesis. FIT Digital Repository, https://institutionalrepository.fitnyc.edu/item/3883
Fan, Tianyi. "Tokenism of Female Artists in the Twenty-First Century." Master's thesis, Fashion Institute of Technology, State University of New York, 2020. https://institutionalrepository.fitnyc.edu/item/3883