Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display

Sara Luduena
Fashion and Textile Studies: History, Theory, Museum Practice

About this Item

Title
Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display
Contributor Names
Luduena, Sara (Author)
Fashion Institute of Technology, State University of New York. Fashion and Textile Studies: History, Theory, Museum Practice (Degree granting institution)
Hanson, Robin (Thesis advisor)
Date
2020
Degree Information
M.A. Fashion Institute of Technology, State University of New York 2020.
Department: Fashion and Textile Studies: History, Theory, Museum Practice.
Advisors: Hanson, Robin. Committee members: Lourdes Font; Denyse Montegut.
Abstract
This paper focuses on the research, conservation, mount-making and long-term storage for a set of late nineteenth or early twentieth century Chinese ceremonial armor held by the Cleveland Museum of Art (CMA). Different from what one typically thinks of as armor, Chinese Qing dynasty (1644-1911) ceremonial armor was designed to have a strong visual impact and was worn for official events like troop inspections and parades. This type of armor, comprised of multiple component parts, is constructed largely of textiles. And although not intended for use on the battlefield, it combines elements of battle armor with those of official court costume to create a new form of dress. The paper begins by placing Qing dynasty ceremonial armor in context. The historical context for this object type revolves around the establishment of the Qing dynasty when the Manchus breached the Great Wall and invaded China in 1644. This brought about major changes in many areas of life including the implementation of new dress regulations. In addition to the historical context, the paper discusses the functional context for ceremonial armor, from its relation to battle armor to its existence in public and private collections today. The next chapter focuses on the physical condition and treatment of the CMA's ceremonial armor set. The construction of each component and their primary condition issues are discussed, followed by a detailed description of the scientific analysis and treatment undertaken to ready the armor for display. The final chapter of the paper describes the design and creation of a custom display mount as well as the long-term preservation considerations for this complex and heavy object. While this armor was slated for display at the CMA in early 2021, that timeline has been pushed back due to the global COVID-19 pandemic.
Subject
Armor
Costume--China
Clothing and dress--China
Museum conservation methods
Conservation and restoration
Cleveland Museum of Art
Rights
In Copyright
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Identifier
FIT Repository ID: etd_000858
pqdiss: 28263959
ISBN: 9798557092562
Related Materials
Also available from ProQuest
Type
Text
Thesis
Language
eng
Publisher
Ann Arbor : ProQuest Dissertations & Theses

Citation

Luduena, S. (2020). Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display [Master's thesis, Fashion Institute of Technology, State University of New York]. FIT Institutional Repository. https://institutionalrepository.fitnyc.edu/item/3873
Luduena, Sara. Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display. 2020. Fashion Institute of Technology, State University of New York, Master's thesis. FIT Digital Repository, https://institutionalrepository.fitnyc.edu/item/3873
Luduena, Sara. "Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display." Master's thesis, Fashion Institute of Technology, State University of New York, 2020. https://institutionalrepository.fitnyc.edu/item/3873