Marketing the Sound: Fashioning the Blues Musician and the Country Music Cowboy
Jules Eckelkamp
Fashion and Textile Studies: History, Theory, Museum Practice
About this Item
- Title
- Marketing the Sound: Fashioning the Blues Musician and the Country Music Cowboy
- Contributor Names
-
Eckelkamp, Jules (Author)
-
Abrego, Sonya (Thesis advisor)
-
Fashion Institute of Technology, State University of New York. Fashion and Textile Studies: History, Theory, Museum Practice (Degree granting institution)
- Date
- 2023
- Degree Information
- M.A. Fashion Institute of Technology, State University of New York, 2023
- Department: Fashion and Textile Studies: History, Theory, Museum Practice
- Advisors: Abrego, Sonya
- Committee members: Davidson, Hilary; Matheson, Rebecca
- Abstract
- Focusing on the period between the country music’s recognition as a distinct category of music in the 1920s and its evolution into a polished and solidified genre in the 1950s, I will discuss the segregation of Black and white singers into the categories of hillbilly and race music and the resulting changes to the artists’ wardrobe. I will look at the dress of the rural Mississippi Delta and Appalachian regions where both genres emerged from. I will consider the influence of record labels, touring shows, and the artists themselves on the musician’s visual branding. A particular focus will be placed on the leading artists in the country and blues genres during this time and the representations of gender within these artists' wardrobe and the subtext of these style choices. I will then discuss how country musician’s initial dress shifted into a more distinct country costume due to blues and pop sounds encroaching on the country music genre in the 1940s and 1950s and how the blues genre and the typical blues musician has become romanticized due to white scholarship of the genre.
- Subject
- Textile research
- Fashion
- Music
- History
- Blues musicians
- Country music
- Cowboy
- Gender expression
- Musicians
- Twentieth century
- Rights
- In Copyright
- The copyright for this work is held by its author/creator(s). Usage of this material beyond what is permitted by copyright law must first be cleared with the rights-holder(s). This work has been made available online by the Fashion Institute of Technology Gladys Marcus Library strictly for research and educational purposes. If you are the copyright holder for this work and have any objections to this work being made available online, please notify us immediately at [email protected].
- This item must not be sold to any third party vendors.
- Identifier
- FIT Repository ID: etd_000950
- ISBN: 9798379899592
- pqdiss: 30522947
- Language
- English
- Publisher
- Ann Arbor : ProQuest Dissertations & Theses
Citation
Eckelkamp, J. (2023). Marketing the Sound: Fashioning the Blues Musician and the Country Music Cowboy [Master's thesis, Fashion Institute of Technology, State University of New York]. FIT Institutional Repository. https://institutionalrepository.fitnyc.edu/item/120858
Eckelkamp, Jules. Marketing the Sound: Fashioning the Blues Musician and the Country Music Cowboy. 2023. Fashion Institute of Technology, State University of New York, Master's thesis. FIT Digital Repository, https://institutionalrepository.fitnyc.edu/item/120858
Eckelkamp, Jules. "Marketing the Sound: Fashioning the Blues Musician and the Country Music Cowboy." Master's thesis, Fashion Institute of Technology, State University of New York, 2023. https://institutionalrepository.fitnyc.edu/item/120858