FIT Student Work
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The Light
Cynthia Mahbub
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Cynthia Mahbub (FIT).
"Semiology" Flight
Qiaochu Ze
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Qiaochu Ze (FIT).
Novel
Haydn Werp
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Haydn Werp (FIT).
Unloving - Alex
Kathrine Delacruz
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Kathrine Delacruz (FIT).
A Son's Confession to His Father
Devlin Chrnelich
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Devlin Chrnelich (FIT).
Glide
Taylor Jones
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Taylor Jones (FIT).
Amber
Jasmine Espinal
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Jasmine Espinal (FIT).
Star and Me
Lucy Zhang
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Lucy Zhang (FIT).
Assumption
Emily Rennie
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Emily Rennie (FIT).
The Sea
Eunseo Kim
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by Eunseo Kim (FIT).
St. Elizabeth, Jamaica West Indies
T'Yanna Palmer
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Poem by T'Yanna Palmer (FIT).
Eleven Pamphlets of Poems
Devlin Chrnelich, Kathrine Delacruz, Jasmine Espinal, Taylor Jones, Eunseo Kim, Cynthia Mahbub, T'Yanna Palmer, Emily Rennie, Haydn Werp, Qiaochu Ze and Lucy Zhang
- 2016
- English and Communication Studies
- Image
- Text
- Poems
- Prints (visual works)
Collaboration with the design students from Pratt Institute; Joint class taught by Roni Gross from Center for Book Arts; contains 11 leaves of individual poems in quatro format, letterpress printed, edition of 18.
Expressions of Civility 2018: School of Art and Design Faculty, Staff and Student Exhibition
- 2018
- Image
- Exhibitions (events)
- Exhibition installation photographs
In recognition of FIT's commitment to creating a civil, inclusive campus for all, the annual faculty and staff exhibition will include student work for the first time.
Women’s Script: Teardrops of the Stars
Yixuan Wu
- 2024
- Illustration (School of Graduate Studies)
- Image
- Paintings (visual works)
Artist Statement:
Belle The Brave
Diana O'Brien
- 2024
- Illustration (School of Graduate Studies)
- Image
- Children's books
- Digital art (visual works)
Diana O’Brien
Artist Statement
Artist Statement
Glorified Expectations
Sarah Yasmin Neil
- 2024
- Illustration (School of Graduate Studies)
- Image
- Paintings (visual works)
Sarah Neil
Glorified Expectations
An expectation is defined as 1) a strong belief that something will happen or be the case in the future, 2) a belief that someone will or should achieve something. Did you have an expectation when approaching this body of work today? Perhaps expectations of the work's quality, subject matter, or scale of the pieces filled your mind. Maybe you envisioned a predominantly digital display, reflective of our digital age.
Expectations, I’ve come to realize, are the universal nemesis of the artist. Through vibrant brushstrokes intertwined with typography, juxtaposed against controlled linework and striking subjects, I aim to convey the duality of confusion and clarity when fulfilling unsolicited expectations.
In my artwork, I strive to convey a unique sense of style and confidence, viewing each subject through the lens of a woman in a society that often fails to provide such perspectives for young female artists. Vibrant colors and sophisticated chaos define my work, reflecting the struggle to express my biracial identity and queerness in the predominantly white, Western culture of my upbringing. Through traditional mediums, I aim to remind my audience of the beauty found in imperfection and the growth that comes from experiencing failure in the pursuit of self-discovery.
The process of creating this thesis show was a push through overcoming external critiques and internal doubts. What began as a large body of narrative text paying tribute to the ten lives I seem to have lived before the age of 25, led to the body of work you see before you in this show.
My written words transformed into ink drawings on board, eventually embracing acrylic on canvas and mixed media techniques. It was a path riddled with attempts to please everyone, mirroring the struggle I faced in my personal life. I hope these pieces ignite introspection, prompting viewers to reflect on their own encounters with expectations– whether embracing or breaking them.
Glorified Expectations
An expectation is defined as 1) a strong belief that something will happen or be the case in the future, 2) a belief that someone will or should achieve something. Did you have an expectation when approaching this body of work today? Perhaps expectations of the work's quality, subject matter, or scale of the pieces filled your mind. Maybe you envisioned a predominantly digital display, reflective of our digital age.
Expectations, I’ve come to realize, are the universal nemesis of the artist. Through vibrant brushstrokes intertwined with typography, juxtaposed against controlled linework and striking subjects, I aim to convey the duality of confusion and clarity when fulfilling unsolicited expectations.
In my artwork, I strive to convey a unique sense of style and confidence, viewing each subject through the lens of a woman in a society that often fails to provide such perspectives for young female artists. Vibrant colors and sophisticated chaos define my work, reflecting the struggle to express my biracial identity and queerness in the predominantly white, Western culture of my upbringing. Through traditional mediums, I aim to remind my audience of the beauty found in imperfection and the growth that comes from experiencing failure in the pursuit of self-discovery.
The process of creating this thesis show was a push through overcoming external critiques and internal doubts. What began as a large body of narrative text paying tribute to the ten lives I seem to have lived before the age of 25, led to the body of work you see before you in this show.
My written words transformed into ink drawings on board, eventually embracing acrylic on canvas and mixed media techniques. It was a path riddled with attempts to please everyone, mirroring the struggle I faced in my personal life. I hope these pieces ignite introspection, prompting viewers to reflect on their own encounters with expectations– whether embracing or breaking them.
Emotional Pollutants
Xiao Lyu
- 2024
- Illustration (School of Graduate Studies)
- Image
- Paintings (visual works)
Artist Statement:
Dear Mom
Soo Ji Lee
- 2024
- Illustration (School of Graduate Studies)
- Image
- Prints (visual works)
Illustrator / Visual Artist
Other Odyssey
Linzi Chen
- 2024
- Illustration (School of Graduate Studies)
- Image
- Drawings (visual works)
- Computer drawings
- Digital art (visual works)
Artist Statement:
Flood: Class of 2024 Visual Thesis Exhibition
- 2024
- Illustration (School of Graduate Studies)
- Image
- Exhibitions (events)
- Annuals (exhibitions)
- Exhibition installation photographs
The 2024 Illustration MFA Visual Thesis Exhibition, titled Flood, represents the culmination of three years of graduate study for the FIT MFA candidates. Each graduating student develops and executes a unique body of work that represents the cumulative experience of three years of technical exploration, artistic growth, academic research, and professional development. The exhibition will consist of works on paper, digital art, augmented reality, graphic novels, and picture books.
Fashion Design AAS Exhibition: Denim Divine
- 2024
- Fashion Design (School of Art and Design)
- Image
- Exhibitions (events)
- Annuals (exhibitions)
- Exhibition installation photographs
- Fashion design
For the capstone projects of the spring 2024 Fashion Design AAS program, students were tasked with creating garments using only denim fabric. As a result, the exhibition focuses on simple forms and techniques, encouraging innovation, creativity, and craftsmanship. Included are works selected for Critic Awards by industry mentors who have worked alongside students throughout the semester.
Denim’s appeal is universal. From day to night, from workwear to runway, denim transcends gender, age, and class. Its durability has made it an essential part of our everyday life. Denim Divine is a tribute to this denim’s timeless appeal and enduring influence.
Denim’s appeal is universal. From day to night, from workwear to runway, denim transcends gender, age, and class. Its durability has made it an essential part of our everyday life. Denim Divine is a tribute to this denim’s timeless appeal and enduring influence.
Capstone Project: Flair / Portfolio: My Flower
Liqing Hu
- 2024
- Fashion Design (School of Art and Design)
- Image
- Fashion design
- Fashion illustrations (layout features)
- Renderings (drawings)
Program/Degree: Fashion Design AAS
Perla Negra
Melissa Amaya
- 2024
- Fashion Design (School of Art and Design)
- Image
- Fashion design
- Fashion illustrations (layout features)
- Renderings (drawings)
Inspired by the mythological world of sirens. Different textures and silhouettes are combined together to showcase the expression of these creatures and their surroundings using a variety of fabrics such as charmeuse, organza, satin, linen and wools.
Primordial
Bach Dang Tran
- 2024
- Fashion Design (School of Art and Design)
- Image
- Fashion design
- Fashion illustrations (layout features)
- Renderings (drawings)
A fashion collection focuses on motherhood and the physical transformation of a fetus inside the mother's womb.
Haenyeo Story
Danbin(Lucy) Kim
- 2024
- Fashion Design (School of Art and Design)
- Image
- Fashion design
- Fashion illustrations (layout features)
- Renderings (drawings)
The collection draws inspiration from the demising population of “haenyeo” -aging women divers with only 3200 remaining, typically between 50 and 80 years old.Their resilience symbolizes a fading tradition, highlighting the fragility of cultural heritage