Ethel Traphagen: American fashion pioneer

Ethel Traphagen: American fashion pioneer

Cassidy Zachary
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
Unwrapped: Giorgio di Sant'Angelo (1933-1989)

Unwrapped: Giorgio di Sant'Angelo (1933-1989)

Kirsta F. Willis
  • 2009
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2009.
Fashion history: A case study in multidisciplinary and comparative methodologies

Fashion history: A case study in multidisciplinary and comparative methodologies

Maureen Whitaker
  • 2007
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2007.
Woven blooms of nationalism: Russian hand-woven tapestry-technique shawls, 1825-1855

Woven blooms of nationalism: Russian hand-woven tapestry-technique shawls, 1825-1855

Tanya Williams Wetenhall
  • 2009
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2009.
La mode à l'écossaise 1850-1860: Fabric and fashion

La mode à l'écossaise 1850-1860: Fabric and fashion

Seta Kaloustian Wehbe
  • 2009
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2009.
A study of clothing in the classic Chinese novel "Hong lou meng" ("A Dream of Red Mansions")

A study of clothing in the classic Chinese novel "Hong lou meng" ("A Dream of Red Mansions")

Zhaoqi Jessica Wang
  • 2006
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2006.
Stitches through time: Clothing traditions and cultural identity of Haudenosaunee (Iroquois) women from the post-contact era to the present

Stitches through time: Clothing traditions and cultural identity of Haudenosaunee (Iroquois) women from the post-contact era to the present

Alexis Kathryn Walker
  • 2010
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2010.
Hypermasculine dress: Self-preservations in queer male culture

Hypermasculine dress: Self-preservations in queer male culture

George W. Veale
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
Bamboo as a textile fiber: Uses and characterization

Bamboo as a textile fiber: Uses and characterization

Sandra Vanderwarf
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
Protecting cultural relics: China's bilateral agreement with the U.S. (2009) and the possible effect on the art market

Protecting cultural relics: China's bilateral agreement with the U.S. (2009) and the possible effect on the art market

Alexis Marie Trebonik
  • 2009
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2009.
Conservation treatment and re-creation of an eighteenth century calash bonnet

Conservation treatment and re-creation of an eighteenth century calash bonnet

Alexandra Jordan Thelin
  • 2008
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2008.
Traffic lights of chic: American millinery and American style, 1937-1947

Traffic lights of chic: American millinery and American style, 1937-1947

Nadine Louise Stewart
  • 2010
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2010.
Little Lord Fauntleroy: Defense of a fashion victim

Little Lord Fauntleroy: Defense of a fashion victim

Kristen Elizabeth Stewart
  • 2009
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2009.
Evaluation of the presence of polyurethane in ultrasuede selected for use in the museum enviornment

Evaluation of the presence of polyurethane in ultrasuede selected for use in the museum enviornment

Ellan F. Spero
  • 2008
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2008.
I spy fashionably: Women's fashion in spy and detective television in the 1960's

I spy fashionably: Women's fashion in spy and detective television in the 1960's

Kristen Shirts
  • 2008
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2008.
Native feat: Research and assessment of the re-housing needs of the North American moccasin collection at the Montclair Art Museum

Native feat: Research and assessment of the re-housing needs of the North American moccasin collection at the Montclair Art Museum

Talia Leigh Selove
  • 2008
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2008.
Agnès, maison or modiste?: Differentiating between the couturière and the accessory designer

Agnès, maison or modiste?: Differentiating between the couturière and the accessory designer

Erica Suzanne Scott
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
From combat to couture: Camouflage in fashion

From combat to couture: Camouflage in fashion

Sarah Scaturro
  • 2011
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2011.
Lace collecting and connoisseurship in New York City: 1870-1930

Lace collecting and connoisseurship in New York City: 1870-1930

Katie Marie Sabo
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
Coming of age at the high school dance: The history of prom dress in Seventeen 1949-1994

Coming of age at the high school dance: The history of prom dress in Seventeen 1949-1994

Pamela Roskin
  • 2008
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2008.
The Bukharian Jewish Museum: Creation of a collection catalog and implementation of collection management techniques

The Bukharian Jewish Museum: Creation of a collection catalog and implementation of collection management techniques

Yael Rosenfield
  • 2006
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2006.
The cautious daring of Muriel King

The cautious daring of Muriel King

Emily Ripley
  • 2014
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2014.
Conservation of a Lucile Ltd. evening dress

Conservation of a Lucile Ltd. evening dress

Anne Katherine Reilly
  • 2010
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2010.
From folk to fashionable: The witch in fashion from 1880 to 1930

From folk to fashionable: The witch in fashion from 1880 to 1930

Jessica Ann Pushor
  • 2013
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2013.
A case study of historical accuracy in film costuming: Jane Eyre

A case study of historical accuracy in film costuming: Jane Eyre

Ann Poulson
  • 2007
  • Fashion and Textile Studies: History, Theory, Museum Practice
  • Text
  • Thesis
M.A. Fashion Institute of Technology, State University of New York 2007.